Tuesday, May 30, 2017

Red Hot Chili Peppers 4

Red Hot Chili Peppers 4 

I dreamed about painting a composition like this with peppers from my garden for SO long, and now I’ve finally been able to do it! It didn’t work out exactly how I pictured it in my mind and sketched it out on paper. That happens a lot...I’ll envision a composition from a graphic design perspective, and then when it comes time to make the design work with three dimensional objects, I run into problems that need to be solved in 3-D. As I’ve grown (gotten OLDer) as an artist, I’ve learned the importance of adapting and making the best of what you have to work with. So, where you end up isn’t exactly what you had in mind, and that’s the adventure in painting...which happens to be great advice for life, too.

Thursday, December 29, 2016

Red Hot Chili Peppers 3

Red Hot Chili Peppers 3 

I’m going into what I will laughingly refer to as my “blue period” starting with Red Hot Chili Peppers 3. I just love this aqua blue background color! It’s a real happy-maker for me; looking at this shade of blue never fails to lift my spirits. And I am going to paint as many different fruits and vegetables on this background as I can. I want to exhaust the great color combinations I can make with this happy shade of blue.

Thursday, December 15, 2016

Sunhat

Sunhat

This is a favorite head study I painted several years ago right around when life painting was starting to come together for me. The painter I was painting with wanted to mix things up and put a hat on the model for the evening. I found the effect the hat had of putting her face in warm shadow except for her nose and mouth really appealing. So, her mouth became the center of interest for me which somehow managed to come out very simple but still very sensitive. 

Wednesday, November 16, 2016

Study of Jodi

Jodi
 
Jodi is my favorite head study in color from my graduate school days. She was such a lovely girl and lovely to paint. This life study of her came together so easily; it practically painted itself. That never happened to me in art school; I really had to work at my paintings. Here in about the last 5 years, I’ve put down enough “brush mileage” for painting to become much more effortless. It’s still requires intense brain work and concentration, but I’ve learned how to get what I want on canvas a lot faster. My instructor Brian Jekel told us students that when we achieved this skill level, painting would feel like eating chocolate. He was right! Of course...back then, it felt like we would NEVER get there; but we really wanted to believe him! LOL!

Wednesday, September 7, 2016

The Red Hat

The Red Hat

The Red Hat was my second commissioned child painting from MadAboutHue, and my second painting of children playing at the beach out of three in a row. Those first three commissioned paintings taught me how much I really love this subject matter. The angle of his nose and mouth was very challenging; I actually had to call it and start over completely. But I made all of my mistakes in the first painting, and the second was smooth sailing. I adore his rosy cheeks and lips under the brim of his red hat!

Wednesday, August 24, 2016

The Pianist

Elizabeth
 
The performance arts make for popular subject matter with painters. Trying to create art from art is very romantic, personal, and challenging. Elizabeth is a very nuanced pianist, and I was delighted that she asked me to paint her while I was still in graduate school. She, I, and my instructor Brian Jekel were very happy with the results, and this painting opened my eyes to the beauty of painting white subjects. White objects reflect all the colors immediately surrounding the object making for interesting and subtle color and temperature shifts. John Singer Sargent was the master of this phenomenon, and I like to think you can see his influence in this painting.

Monday, August 22, 2016

Vine Ripened - Take 2

Vine Ripened
 
The challenge of painting tomato red accented with the green of the stems was just so much fun that I did it, again! Ironically, my favorite tomato (bottom right) is the one I spent the least amount of time working on. It frequently happens in painting that overworking an area makes that part lose some it’s “vitality” or “freshness,” mainly referring to the quality of the brushwork. I did all of my problem solving working through the first two tomatoes; so much so, that my third tomato went down just the way I wanted it to. That’s a really great feeling!